Best Post-Production Companies in Singapore (2026)
6 Singapore post-production companies working in 2026, from Dolby-certified long-form facilities to advertising VFX and finishing houses
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Introduction
The 6 companies below edit, grade, composite, mix or deliver finished film and video from Singapore in 2026. Two are long-form facilities built for streaming and theatrical delivery, three are commercial houses whose work runs from editing and CG to finishing, and one is the post arm of a holding-company production network.
Singapore works as a regional hub for post. Several of the studios here take work from across Southeast Asia and beyond, and some run studios in other cities as well: The Quiet Lab also has a studio in Bangkok, and Heckler’s Singapore studio was the first overseas outpost of a Sydney company. Long-form work has grown with the streaming platforms, and Space Lion Studios, set up by Singapore-headquartered Beach House Pictures, describes itself as Southeast Asia’s first 8K-ready premium long-form post facility. On the commercial side, Dandelion Studios formed a CGI alliance with the VFX company Juice in late 2025 to bring Juice’s CG talent into its Singapore operation.
Companies were chosen for the range of post services they run, the clients and work they publish, and a working Singapore studio confirmed by their own sites or trade coverage from 2025 or 2026. The list stops at 6 rather than padding it. It is unranked, since the right choice depends on whether you need a Dolby Vision finish for a series, CG for a regional campaign or the whole job from edit to delivery.
The best post-production companies in Singapore
1. Mocha Chai Laboratories
Film studio with in-house post · Ubi · mochachailab.com
Mocha Chai Laboratories is a Singapore film studio at Oxley Bizhub on Ubi Road that works with directors, networks and brands from development through to post and release. It describes itself as Southeast Asia’s first Dolby Vision and Dolby Atmos certified studio. Its post department covers offline editing and online conform, Dolby Vision grading in calibrated HDR suites, sound design and mixing in certified Atmos rooms, and an in-house voice and ADR suite with remote direction.
Delivery is a large part of the business: the studio reports more than 1,500 DCPs delivered and 94 projects in 2025, and it handles versioning and packaging to broadcast and streaming specifications. Post projects on its site include Spirit World, Geylang, The Last Bout, Glorious Ashes and Mojoku Hilang. It suits feature films and series that need a certified HDR and Atmos finish with deliverables handled in the same building.
2. Space Lion Studios
Part of Beach House Pictures (Fremantle) · Singapore · spacelionstudios.com
Space Lion Studios is the post-production facility of Beach House Pictures, the Singapore-headquartered producer of scripted, factual and entertainment programming, which is part of Fremantle. It calls itself Southeast Asia’s first 8K-ready premium long-form post facility, with Dolby Vision HDR grading, Dolby Atmos 9.1.4 mixing and Netflix IMF mastering and delivery. Editors, designers, colourists and audio engineers work in-house, with freelancers added as projects need them.
The facility runs more than a petabyte of central storage over 10 Gbps connections to every suite, with biometric entry and CCTV for content security. At launch it listed work for Netflix, Amazon Prime, HBO Max, Discovery+, National Geographic and Bilibili, including the Netflix docuseries The Raincoat Killer. It suits documentary and unscripted series with streamer delivery specifications to meet.
3. Heckler Singapore
Part of Sydney’s Heckler · Telok Ayer · heckler.tv
Heckler opened its Singapore studio at the end of 2019 as its first studio outside Australia, and it now works from 137 Telok Ayer Street. Its site lists editing, colour grading, VFX, CGI, sound, animation and motion design, and the studio also directs and produces. At the Creative Circle Awards in January 2025 it won Gold and Best of Category in VFX for Greenpeace’s MoneyTrees music video with Studio Birthplace, along with Silver in VFX for SK-II.
Work on its site includes La Mer, Bloomberg, Mandarin Oriental, WWF, Samsung, Apple, Standard Chartered and Glenfiddich’s Singapore F1 film, and LBB credits it with post and VFX on 2025 work for Philips, Qantas and Adidas. In July 2026 its CG team worked with Ogilvy Singapore and WPP Production on year two of the Central Narcotics Bureau’s Uninfluenced campaign. It suits agencies that want design, CG and finishing from one studio.
4. Dandelion Studios
Founder-led · Singapore
Dandelion Studios was founded in 2023 by Fabian Tan, Joni Raso and Billy Fong, who had worked together at VHQ across Singapore, Malaysia, China and Indonesia. Its services cover VFX, CGI, compositing, design and motion, colour grading and AI development. ADFEST named it Production Company of the Year in 2025, and it signed with the m25 representation network for Asia and the Middle East the same year.
In September 2025 it formed an alliance with Juice, a VFX and CG company with studios in Tokyo and Shanghai, which brings Juice’s CG and animation artists into Dandelion’s Singapore operation and covers previz, animatics, editorial, VFX, online and finishing under one point of contact. Clients named in trade coverage include Google, Kia, OCBC, Unilever, P&G and the Republic of Singapore Navy, whose 2024 spot through MullenLowe Singapore and Atypicalfilms used VFX on nearly every shot. It suits CG-heavy brand campaigns run out of Singapore for the region.
5. The Quiet Lab
Independent studio · Selegie · thequietlab.com
The Quiet Lab is a visual effects and finishing studio founded in 2013, working from Selegie Road in Singapore with a second studio in Bangkok. It makes visual effects for film, television and advertising, and its archive lists 91 projects, updated in 2026. Awards listed on its site include Cannes Lions, D&AD, One Show, Spikes Asia and Effie.
Brands on its site include Samsung, SK-II, BMW, Audi, Disney, Google, DBS, Singapore Airlines, Tiger Beer and IKEA, and featured work includes Disney Cruise Line’s Disney Adventure, Lifebuoy’s Possession and the Ministry of Health’s A-Salt. In October 2026 it shared the post-production credit on Income Insurance’s For Every Story platform through Leo Singapore. Its focus is VFX and finishing, so confirm who will cut and grade if you need those as well.
6. Prodigious Singapore
Part of Publicis Groupe · Singapore · publicisproduction.com
Prodigious is Publicis Groupe’s production network, which now presents itself globally as Publicis Production, with 52 locations and the post studio Harbor among its brands. The Singapore team still appears in credits as Prodigious Singapore.
In October 2026 Prodigious Singapore and Thailand shared the post-production credit with The Quiet Lab on Income Insurance’s For Every Story platform for Leo Singapore, produced by Applebox Asia. It suits brands already working with Publicis agencies that want post kept inside the group; others should ask whether it takes outside work.
What to look for in a Singapore post-production company
Start with the kind of finish you need. The long-form facilities here are built around Dolby Vision grading, Atmos mixing and streamer delivery, while the commercial houses lean towards CG, compositing and finishing for campaigns. Few Singapore companies run every stage at full scale, so ask which stages stay in the building and who handles the rest.
Ask where the work will be done. Several studios here share teams with Sydney, Bangkok, Tokyo or Shanghai, which can add capacity on a large CG job. If you want supervised sessions in Singapore, confirm the editor, colourist or VFX supervisor is based locally, and agree how remote reviews will run if they are not.
Agree deliverables before the edit locks. Netflix IMF packages, Dolby Vision masters, Atmos and stereo mixes, DCPs, broadcast versions in several languages and social cut-downs for regional markets each add time. Mocha Chai and Space Lion handle mastering and delivery in-house; elsewhere, check who produces them and to what specification.
Finally, settle how files and notes will move. A post job produces camera originals, proxies, project files, LUTs, VFX plates and renders, and regional campaigns add subtitled and localised versions of each cut. Agree naming, where the current version lives, and how client notes are gathered, so each review round starts from the right file.
How Fabric helps post-production teams
Fabric gives a post team one workspace for footage, project files, renders and client feedback, with AI search across all of it. Each job can have a shared space for the brief, the edit decision list, versions sent for review and final deliverables.
Rushes and renders sit in Fabric’s cloud drive, which streams files on demand so they take no local disk space, and heavy video files open without a full download. Shared folders always show the latest versions, which helps when artists in Singapore and a partner studio in another city work on the same shots. There is a short primer on what a proxy workflow is, and another on what a LUT is for teams passing looks between edit and colour suites.
Search works by meaning across briefs, notes and transcribed media, and colour search finds stills and images by shade. Audio and video transcription turns uploaded MP4, MOV and WAV files into searchable text with clickable timestamps, which helps documentary editors find an interview line without scrubbing through hours of footage.
For review, a cut or a folder of versions can be published as a web page with password protection, and link analytics shows when each named recipient opened it and for how long. Agencies and clients can leave threaded comments through a shared link without creating an account. Reviewers can leave timestamped comments on video and draw on any video frame. Annotations also work on PDFs and documents such as scripts, shot lists and delivery specs.
Password protection and link analytics are included on Pro and Team plans. See plans for teams.
Frequently asked questions
What is the best post-production company in Singapore?
It depends on the job. Mocha Chai Laboratories and Space Lion Studios are set up for long-form Dolby Vision and Atmos finishing, Heckler Singapore and Dandelion Studios handle CG-heavy campaigns from design to finish, and The Quiet Lab focuses on VFX and finishing for film and advertising.
Where can I finish a series for Netflix or another streamer in Singapore?
Space Lion Studios offers Dolby Vision HDR grading, Atmos 9.1.4 mixing and Netflix IMF mastering and delivery. Mocha Chai Laboratories grades in Dolby Vision, mixes in certified Atmos rooms and handles streaming and theatrical delivery, including DCPs.
Which Singapore companies handle VFX and CGI for advertising?
Heckler Singapore won VFX Gold at the 2025 Creative Circle Awards, Dandelion Studios works with Juice on high-end CGI from Singapore, and The Quiet Lab has made VFX for brands including Samsung, SK-II and Disney.
Can I get colour grading in Singapore?
Yes. Mocha Chai Laboratories and Space Lion Studios grade in Dolby Vision HDR suites, and Heckler Singapore and Dandelion Studios both list colour grading among their services for commercial work.
Which Singapore companies can shoot and post a project together?
Mocha Chai Laboratories directs and produces as well as finishing in-house, and Heckler Singapore directs and produces alongside its post and VFX work. For production-led companies, see the best video production companies in Singapore.
Related lists
Post-production companies in other cities: New York · Los Angeles · London · Chicago · Toronto
More in Singapore: Creative agencies · Video production · Advertising agencies · Content studios · Photography studios
Run your post studio on Fabric: Fabric for video editors · Best cloud storage for video editors · Best video asset management tool