Best VFX Studios in São Paulo (2026)
7 São Paulo VFX studios doing standout work in 2026, from boutique compositing shops to large post and virtual production houses
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Introduction
São Paulo is the centre of Brazil’s visual effects industry, and the seven studios below cover most of what a producer or agency will need, from CG for car and beauty commercials to set extensions for telenovelas and invisible effects for streaming series. They were chosen for recent work, 2025 and 2026 credits, and the range of clients they serve.
Streaming has pushed the city’s studios into larger shot counts. Netflix’s Senna split its race sequences between Scanline and several Brazilian houses, with Picma Post, Quanta and Mistika’s Marcelo Siqueira all credited, and the virtual production shoot took place in São Paulo. In May 2026 Picma delivered close to 1,000 shots for the Netflix film Biônicos. The 2026 Prêmio ABC de Cinematografia also included a special VFX prize, with categories for feature films and TV series, judged first by a technical committee of 32 industry professionals and sponsored by several of the studios below.
Every studio here has an active São Paulo base in 2026. The list runs in no fixed order of merit, since the right choice depends on the format, the shot count and how much of the post pipeline you want in one place. Pure animation houses are covered on a separate page.
The best VFX studios in São Paulo
1. Mistika
Independent, partner-owned · São Paulo · mistika.com.br
Mistika is a post-production and visual effects company founded in 2011 by siblings Marcelo Siqueira (known as Sica) and Ariadne Mazzetti, after Siqueira spent about 20 years at Casablanca. It runs units in São Paulo, Rio de Janeiro and Fortaleza. In August 2026, its 15th year, it widened its shareholder group to 12 partners, five of them leads from the visual effects team.
Siqueira was one of the production VFX supervisors on Netflix’s Senna, alongside Scanline’s Craig Wentworth. The company reports credits on more than 550 feature films, 31 series and 12 reality shows, including Crush Perfeito for Netflix and Endemol. It was one of the sponsors of the 2026 ABC VFX prize.
2. Picma Creative Post
Independent · Vila Leopoldina · picmapost.com.br
Picma was founded by visual effects supervisor Rodrigo Elias, who previously worked at several large São Paulo production companies. It covers VFX supervision, 3D, compositing, motion graphics and colour for advertising, short films and features, and works from a studio in Vila Leopoldina.
Its biggest recent job is Biônicos, a dystopian sci-fi film for Netflix, where it handled close to 1,000 shots, more than 500 of them with 3D or CG elements, including CG environments, digital limb replacements and simulations. On Senna it took the Formula Ford, Formula 3 and Imola 1994 race sequences. Advertising clients include O Boticário, Natura, Bradesco and Itaú.
3. Casablanca
Independent · São Paulo · cbsp.com.br
Casablanca has been in production and post since 1998 and is one of the largest companies of its kind in Brazil, with studios in São Paulo and Rio de Janeiro. Its effects work leans towards virtual production: extended reality, real-time set extensions built in Unreal, and tracking for both drama and advertising.
Much of its best-known work is for RecordTV, including 3D-built sets for the biblical series Reis and virtual temples, battles and dragons for the telenovela Gênesis, shot against blue screen. Its VFX team was one of the Brazilian studios that tested the Monaco sequences for Senna, and Casablanca sponsored the 2026 ABC VFX prize.
4. Clan VFX
Independent · Vila Olímpia · clanvfx.com.br
Clan VFX was founded in April 2012 by Luciano Neves and Luiz Adriano, both with more than 20 years in post-production. It works from a 350 m² studio in Vila Olímpia and covers VFX supervision, 3D, compositing, motion design and colour, with AI-assisted steps overseen by its artists and technical directors.
Its reel is mostly commercials made with São Paulo production companies: Fiat and Abarth spots for Boiler (including a Stranger Things tie-in), Johnson’s Baby for WPP Production, and promotional work around season three of Netflix’s Bridgerton. It suits agencies that want a mid-sized team on CG product and car work.
5. Tribbo Post
Privately held · São Paulo · tribbo.com.br
Tribbo has made visual effects in São Paulo since 2003, covering compositing, 3D and motion graphics for commercials, television and features. Over more than two decades it has collected Cannes nominations and local honours, including Globo TV’s Professionals of the Year.
The studio has also built up a US presence, with a Miami office and US representation through Brooklyn’s Rebel Talent. It was one of the houses invited to test the Monaco race work on Senna. Past advertising work includes campaigns for TIM, Unimed and Multishow.
6. Quanta
Independent · São Paulo · quanta.com.br
Quanta is best known as Brazil’s largest camera and equipment rental house, and it has grown a post and virtual production business on top of that base. For producers it can be a single supplier from the shoot through to finishing.
On Senna it handled virtual production, online editing and colour, supported the LED volume shoot in São Paulo and restored archival FIA race footage. It was one of the sponsors of the 2026 ABC VFX prize. Teams that only need shot work may find a dedicated VFX boutique a better fit.
7. O2 Pós
Part of the O2 Filmes group · Vila Leopoldina · o2pos.com
O2 Pós is the post-production company that sits alongside O2 Filmes, the production house founded in 1991, on the same Rua Baumann campus in Vila Leopoldina. Its services include 2D and 3D animation, VFX, 4K, UHD and HDR finishing, and Dolby Atmos sound.
The group’s series Raul Seixas: Eu Sou was a finalist for best VFX in a TV series at the 2026 ABC VFX prize, which O2 Pós also sponsored. It is a sensible choice when the edit, effects, grade and mix need to stay under one roof.
What to look for in a São Paulo VFX studio
Start with the format. Commercial work in São Paulo moves fast, often with a few days between shoot and air date, and the studios that do it well keep a senior compositor and CG lead on every job. Streaming series and features need something different: a pipeline that can track hundreds of shots, version them cleanly and hand them to a client-side supervisor for sign-off.
Ask who will supervise on set. Most of the studios above will send a VFX supervisor to the shoot, and for anything involving set extensions, crowd work or CG vehicles that visit pays for itself in cleaner plates and fewer fixes later. For virtual production, check whether the studio builds the real-time environments itself or works with a separate volume operator.
Check where the rest of post will happen. Several São Paulo houses offer editing, grading and sound as well as effects, which simplifies scheduling and conform. Others focus on shot work and expect footage and an EDL from your editor. Either works, provided the handover points and file specifications are agreed before the shoot.
Finally, look at how review is run. A typical commercial goes through several rounds of comments from the agency, the client and sometimes the brand’s regional team, often in Portuguese and English. Studios with a clear way of sharing versions, collecting notes and recording approvals lose less time to mismatched feedback and old renders circulating by email.
How Fabric helps VFX teams
Fabric gives a VFX studio one workspace for plates, renders, references and client feedback, with AI search across all of it. Large files sit in Fabric’s cloud drive, which streams them on demand so they take no local disk space, and heavy files open without a full download. There is more on organising output in why your rendering files need a home.
Finding the right shot or reference is often slower than making the change. Search works by meaning across documents, images, PDFs and transcribed audio and video, and colour search finds visual assets by shade. Similar search takes a frame or concept image and surfaces related material by composition, colour and subject, which helps when a director asks for “something like the last one”.
For client review, any file or folder can be published as a web page with password protection, and link analytics shows when each named recipient opened a version and how long they spent on it. Agency and brand teams can leave threaded comments through a shared link without creating an account. The review and approval setup brings this together for a round of notes.
Annotations currently cover highlights and comments on PDFs and documents, which suits shot lists, bids and supervisor notes. Reviewers can also leave timestamped comments on video and draw on any image or video frame.
Password protection and link analytics are included on Pro and Team plans. See plans for teams.
Frequently asked questions
Which São Paulo VFX studios work on streaming series?
Picma Creative Post delivered close to 1,000 shots for Netflix’s Biônicos in 2026, and Picma, Quanta and Mistika’s Marcelo Siqueira all worked on Netflix’s Senna. Casablanca also produces large volumes of effects for RecordTV series and telenovelas.
Which studios offer virtual production in São Paulo?
Casablanca runs virtual production, extended reality and real-time set extensions from its São Paulo and Rio de Janeiro studios. Quanta handled the virtual production and LED shoot in São Paulo for Senna.
Should I hire a VFX boutique or a full-service post house?
A boutique such as Clan VFX or Tribbo Post suits commercials where the edit is done elsewhere and the job is mainly CG and compositing. If you want editing, grading and sound handled together, ask which of the larger houses here offers full finishing under one roof.
What is the Prêmio Especial VFX ABC?
It is a visual effects award run as part of the 2026 Prêmio ABC de Cinematografia, created with Amazon Studios VFX executive Sandro Di Segni among its organisers. It has categories for feature films and TV series, and a committee of 32 industry professionals chose five finalists in each before a public vote.
Do São Paulo VFX studios work with international clients?
Yes. Tribbo Post has a Miami office and US representation, and several studios on this list worked alongside Scanline on Senna. Most teams work in Portuguese and English.
Related lists
VFX in other cities: New York · London · Los Angeles · Chicago · Toronto
More in São Paulo: Creative agencies · Animation studios · Video production
Run your studio on Fabric: Fabric for creative teams · Best cloud storage for video editors · Best video asset management tools