Best VFX Studios in Milan (2026)

Introduction

Milan has a small, well-established VFX market, and the six studios below are the ones we could confirm with a working base in the city in 2026. They range from EDI Effetti Digitali Italiani, which works on Marvel series, to CGI specialists focused on advertising.

The city had a visible year. EDI won the David di Donatello for Best Visual Effects in May 2026 for The Forbidden City, and 22DOGS, a Milan studio with offices in Los Angeles and Tenerife, has added a Toronto hub. In January 2026 Italy took part in the Visual Effects Society’s nomination event for the first time, with an in-person panel in Milan hosted at On Air’s virtual set.

Every studio here shows a Milan address or base on a page we checked. Studios that only operate from Rome or Turin were left out, which keeps the list short. It runs in no fixed order of merit, since the right choice depends on whether your brief is a feature, a series, a commercial or a still.

The best VFX studios in Milan

1. EDI Effetti Digitali Italiani

Italian Srl · Sempione · effettidigitali.it

EDI dates its story to 2001, when it opened its first studio in an attic in Milan, and it now works from Via Giovanni Battista Bertini. It won the David di Donatello for Best Visual Effects in 2026 for The Forbidden City, and an Emmy for its VFX on Netflix’s Ripley in 2024.

Its film and series list takes in Daredevil: Born Again season 2, Sandokan, The Devil Wears Prada 2, Thor: Love and Thunder and Black Adam. Advertising runs alongside this, with campaigns for Esselunga, Lamborghini, Barilla, La Molisana and ENI, so it suits clients who want one vendor across long-form and commercial work.

2. Proxima Milano

Italian Srl · Central Milan · proximamilano.com

Proxima Milano has worked since 2003 and began as a post-production and VFX studio. It now calls itself a VFX and GenAI house, and covers on-set supervision, CGI sequences, crowd simulation, digital matte painting and set extensions for film, episodic and advertising. Its GenAI content room, DECODE70, is described as research and development work.

Credits include Il Gattopardo for Netflix Italia and Indiana Production, and The Count of Monte Cristo for Palomar and RAI fiction. Its site also names Warner Bros. Discovery, Amazon Studios and Paramount+, along with agency groups such as Publicis Groupe, BBDO and TBWA. Foreign producers may find its tax credit support useful, as it offers both an executive production model and a post-production only model.

3. 22DOGS

Italian Srl (22Dogs Holding) · Milan · 22dogstudio.com

22DOGS is a VFX studio for film, television and advertising, with its holding company at Via Ruggiero Settimo in Milan and further offices in Los Angeles, Santa Cruz de Tenerife and, recently, Toronto. It describes its team as international and its tools as AI-assisted.

The film and TV list is long and leans towards US productions: The Morning Show, Outer Banks, The Accountant 2, Citadel: Diana and The Decameron. In advertising it has worked for Maserati, Coca-Cola, Lamborghini, Lancia and OMEGA. With several hubs in play, ask which one will run your shots.

4. BAND

Italian Srl · Central Milan · bandvfx.com

BAND, also known as BANDvfx, is a post-production company founded in 2010 by Adriano Mestroni and Alberto Mantini, who work there as colourist and supervising digital artist. It sits on Via Fratelli Ruffini and handles CGI, VFX, online editing and colour grading for commercials and features, with 4K HDR delivery through ACES workflows, Dolby Vision and HDR10.

It is a small house: company records show seven employees and revenue of €1.8 million for 2025, and it brings in selected freelancers as needed. That size suits commercials where the same few people take a film from comp to grade. Ask for a recent reel, as it is the best guide to its range.

5. B612Studio

Italian studio · Milan · b612studio.com

B612Studio is a CGI, animation, post-production, photography and illustration studio on Via Monte Nevoso. It specialises in advertising, and its portfolio is organised by subject: automotive, interiors, people, animals, still life, characters and landscape.

Project titles include Lavazza, Barilla, Lamborghini, Porsche, Coca-Cola, IKEA and Loro Piana, as well as Netflix’s Stranger Things 5 and Pechino Express 2025. It suits briefs built around a key visual or a campaign image, and it is represented by the agent Soldi&Donadello.

6. Vitruvio Virtual Reality

Part of a group with demarka and ASSA Informatica · Milan · vitruviovirtualreality.com

Vitruvio Virtual Reality is a CGI team working since 2013, with addresses on Via Galileo Ferraris in Milan and on Via Emilia in Bologna. It makes CGI commercials and 3D video, AI-assisted images for e-commerce, advergames and virtual environments for brands.

Its focus areas are architecture, design, fashion, cinema, music and performance, and it produces virtual tours for exhibitions and fashion events, which fits Milan’s design calendar. Its site names no clients, so ask for references, and check how the work is split between Milan and Bologna.

What to look for in a Milan VFX studio

Start with the type of work. Film and episodic vendors such as EDI, Proxima Milano and 22DOGS run long schedules, supervision on set and large shot counts. Commercials in Milan tend to come from food, automotive and fashion clients, on short schedules, and houses such as BAND and B612Studio are set up for that. Most of these studios do both, so look at the reel closest to your brief.

Ask who will supervise your shots and where they sit. Several Milan studios have other offices or rely on freelancers at peak times, and it is reasonable to name the supervisor and the lead artists before work starts.

Check technical and financial fit early. Ask about colour pipeline and delivery specs (BAND, for example, lists ACES workflows and Dolby Vision). Generative AI now appears on several of these sites, so ask where it would be used on your job and how rights are handled. If you are a foreign producer, the Italian tax credit may affect where the work goes, and your own advisers should confirm eligibility.

Finally, look at how the studio handles shot review. Versions multiply quickly on a VFX job, and notes that arrive by email are hard to match to a frame. A single place for the latest version, with comments tied to timestamps and tracked to completion, shortens the rounds.

How Fabric helps VFX teams

Fabric gives a VFX studio one workspace for shots, references, client feedback and production notes, with AI search across all of it. Rendering and compositing stay in the studio’s own tools. There is more on the setup for creative teams.

Large files sit in Fabric’s cloud drive, which streams them on demand so they take no local disk space. Heavy files open without a full download, and shared team folders hold the latest versions. There is more on this in your rendering files need a home.

Shot review runs through shared links. Share a file or folder with the client as a commenter, with no sign-up needed, and they can leave timestamped comments on video, add a drawing on the frame, or draw on a still and attach a comment to the drawing. The team marks each comment completed as the note is addressed, so a round of feedback works like a checklist. Published links are view-only and suit showreels and finished deliveries; publish any file or folder as a web page, add password protection, and use link analytics to see when each named recipient opened it.

Search works by meaning across documents, images and transcribed recordings, and results jump to the page or timestamp. Similar search finds related images by composition, colour and subject, which helps when pulling references or looking for a past shot. A folder can also become a Kanban board whose cards are the files themselves, a simple way to follow shots through a pipeline.

On Team plans, self-writing docs can maintain a page for each client from meetings, Slack and the workspace, covering decisions, deliverables and open items. Password protection and link analytics are included on Pro and Team plans. See plans for teams.

Frequently asked questions

What is the best VFX studio in Milan?

It depends on the brief. On 2026 recognition, EDI Effetti Digitali Italiani stands out for its David di Donatello for Best Visual Effects. For US film and series credits, look at EDI and 22DOGS. For advertising CGI and stills, B612Studio is a closer fit.

Do Milan VFX studios work on international productions?

Yes. EDI lists Daredevil: Born Again season 2 and The Devil Wears Prada 2, 22DOGS lists The Morning Show and Outer Banks, and Proxima Milano names Netflix, Warner Bros. Discovery and Amazon Studios among the companies it has worked for.

Can a Milan VFX studio help with the Italian tax credit?

Proxima Milano offers support for foreign producers. Its site lists a 40% credit, a €250,000 minimum Italian spend, a €20 million annual cap per company or group, and a cultural test score of at least 50 out of 100. Terms can change, so have your own advisers confirm what applies to your production.

What is the difference between a VFX studio and a post-production house?

A VFX studio concentrates on creating or altering images: CGI, compositing, set extensions and clean-up. A post-production house covers the wider finishing process, including editing and grading, though some firms, such as BAND, do both. For wider finishing work, see the list of post-production companies in Milan.

Do Milan VFX studios use generative AI?

Several say so on their own sites. Proxima Milano runs a GenAI content room called DECODE70, 22DOGS describes AI-driven tools, and Vitruvio Virtual Reality offers AI-powered images for e-commerce. Ask how it would be used on your project, and take rights questions to your own legal team.

Related lists

VFX in other cities: New York · London · Los Angeles · Chicago · Toronto

More in Milan: Creative agencies · Post-production · Animation · Video production · Editing

Run your studio on Fabric: Fabric for creative teams · Review and approval · Best video asset management tools