Best Post-Production Companies in Boston (2026)

Introduction

The 7 companies below edit, grade, composite, mix or deliver finished video from Greater Boston in 2026. They include a VFX studio that has worked in the city since 1999, two editorial houses serving national advertising, the finishing facility behind several PBS series, and production companies that run full post departments of their own.

Boston’s post scene is small and closely connected, and much of it sits downtown. PS260, a New York editorial company, opened a Financial District office in 2020 and cited the state’s production incentives as one reason. A building on Union Street near Faneuil Hall has housed Editbar for years, and outside companies have set up colour suites alongside it: Nice Shoes in 2017 and Assembly, which added colour, VFX and finishing there in 2023. Colourist Phil Choe, who graded in that building for both companies, launched his own Boston studio, Standard Art, at the start of 2025.

Companies were chosen for the range of post services they run in-house, the clients and work they publish, and a working Greater Boston address. Colour-only studios and other single-discipline specialists are not listed, and audio-only studios are covered on the Boston sound design page. The list stops at 7 rather than padding it. It is unranked, since the right company depends on whether you need an offline edit, VFX shots, a broadcast finish or the whole job.

The best post-production companies in Boston

1. Brickyard VFX

Independent, female and artist-owned · Leather District · brickyardvfx.com

Brickyard VFX has worked from Boston since 1999 and is now at 180 Lincoln Street. It describes itself as a female and artist-owned studio, and its services cover compositing, CG and character animation, motion graphics, digital environments and on-set supervision, for advertising, feature films and emerging media. A live-action arm, Brickyard Filmworks, handles direction and production when a job needs a shoot as well.

Brands shown on its site include McDonald’s, Toyota, State Farm, Visa, JetBlue, Major League Baseball and the Boston Bruins, and it lists membership of the Visual Effects Society. Its site does not mention editorial or colour, so agencies usually pair it with an edit house for the cut and grade.

2. PS260

Independent, partner-led · Financial District · ps260.com

PS260 is an editorial and post company founded in New York in 2002, with offices in New York, Boston and Los Angeles. Its Boston office opened in 2020 in a 7,400 sq ft space at 22 Batterymarch Street, an 1893 building that once housed the Harvard Club, under executive producer Raná Martin. It was built with three edit suites, a Flame suite for compositing and finishing, and a virtual room connected to Company 3 and MPC. Across the company it lists about 13 full-time editors, two Flame suites, a voiceover booth and a graphics department.

Clients named on its LBB profile include DraftKings, American Express, Gucci, Klarna, Totino’s, Therabody and Voya, and the company reports 15 Cannes Lions and 10 Clios. Its editors work across all three cities, so ask which of them is based in Boston if you want sessions in the room.

3. GBH OutPost

Part of GBH · Brighton · wgbh.org

OutPost is the post-production facility at GBH, Boston’s public broadcaster, at One Guest Street, offered to outside producers as well as GBH’s own shows. It runs four DaVinci Resolve systems and four Avid Symphony Nitris and Baselight systems for grading and online, more than 12 Avid edit suites (in person or virtual, with remote viewing), and 3 petabytes of secure storage with AWS integration. Sound covers 5.1 mixing on Pro Tools, several voiceover and narration booths with Source-Connect and ADR, and a Soundminer library of more than 50,000 effects.

It finishes PBS series including FRONTLINE, NOVA and AMERICAN EXPERIENCE, and has worked with Miles O’Brien Pictures on a NOVA film about the Boston Marathon bombing manhunt. It also handles the delivery end: closed captions, technical evaluation for network delivery, frame-rate conversion and DCPs, with proof screenings in a 208-seat theatre. It suits documentary and long-form projects with broadcast specifications to meet.

4. Minutemen Post

Independent · Financial District · minutemenpost.com

Minutemen Post works from 183 State Street and offers colour (camera matching, shot clean-up and grading), editorial for long-form documentaries and broadcast commercials, motion graphics, visual effects and object removal. It also produces when a project needs a shoot.

Its work page credits it on Plymouth Rock Assurance’s “Out of Hibernation” (edit, animation and colour), John Hancock’s “Rookie Retirement” with David Ortiz (colour), Hydrow’s “Bring The Outside In” through Fairfolk (colour and animation), and Bank of America’s “Women’s World of Boxing” (shoot, edit and colour). Other projects include work for Pega and State Street and the documentary New England’s Last Chinatown. It suits regional brands and agencies that want edit, grade and clean-up from one small team.

5. Editbar

Editor-owned · North End · editbar.com

Editbar is an editor-owned collective led by founding editors Michael Reuter and Peter Barstis, offering creative editorial, post-production, motion graphics and finishing on union and non-union jobs. Its Union Street building near Faneuil Hall is shared with production company Sweet Rickey, and colour has come from partners in the same building: Nice Shoes from 2017, then Assembly, which opened its Boston colour, VFX and finishing studio there in 2023.

Recent work on its site includes DraftKings, Google Chrome, Samuel Adams, Adidas, Wendy’s, Puma with Dua Lipa, Hannah Berner’s Netflix special, Billie Eilish Live for Apple Music, a Bad Bunny documentary for YouTube Music, and Life is Good and Puma x Pokémon spots that combine live action with AI. Ask which colourist and finishing partner it uses today, since the grade is not run by Editbar itself.

6. Element

Independent · Back Bay · element.cc

Element is a production and post company headquartered at 310 Stuart Street, with further offices in Los Angeles, New York and Austin. Its editorial department covers editing, colour correction and audio mixing and recording, and its motion graphics team takes on animation, illustration, design and VFX. Post can be booked on its own as well as with a shoot.

On its work page, Marshalls is credited for post alone, and Stonyfield Organics for production, post and motion graphics. Dunkin, Toyota, IKEA, Deloitte, Gorton’s, Rubbermaid, SimpliSafe and the Boston Celtics are credited for production and post. It suits brands and agencies that want a commercial shot, cut and graded by one company.

7. Charles River Media

Independent · Needham Heights · charlesrivermedia.com

Charles River Media is a production company on TV Place in Needham Heights that marked its 20th anniversary in 2024. Its post department edits in Adobe Creative Cloud and grades in DaVinci Resolve in dedicated colour suites, and it lists sound design, captioning and delivery alongside them. Motion graphics artists and animators build virtual sets for green-screen shoots, add graphics and VFX, and produce fully animated pieces.

Recent projects include the Red Cross of Massachusetts Boston Heroes Breakfast 2026, a Zeiss production on 3D spatial biology at Harvard Medical School, work for Harvard Business School and The Jackson Laboratory, and an animated video for Folia Health. It suits universities, healthcare and technology organisations that want animation, editing and grading handled with their filming and events.

What to look for in a Boston post-production company

Start by mapping your finish against what each company does in-house. Few Boston companies run editorial, colour, VFX and a mix stage at full scale, and the downtown houses often share buildings and partners. Ask which stages stay in the building, who handles the rest, and who is responsible for the final conform.

Ask who will be in the room. Several companies here have offices in more than one city, and PS260’s editors work across New York, Boston and Los Angeles. If you want supervised sessions in Boston, confirm the editor, colourist or Flame artist is based locally, and agree how remote reviews will run if they are not.

Agree deliverables before the edit locks. Broadcast and PBS masters, captions, network QC, social cut-downs in several aspect ratios, DCPs for festivals and archive files each add time. GBH OutPost handles captioning, network evaluation and DCPs in-house; elsewhere, check who produces them and to what specification.

Finally, settle how files and notes will move. A post job produces camera originals, proxies, project files, LUTs, VFX plates and renders, and several versions of each cut. Agree naming, where the current version lives, and how client notes are gathered, so each review round starts from the right file and every note can be traced to a version.

How Fabric helps post-production teams

Fabric gives a post team one workspace for footage, project files, renders and client feedback, with AI search across all of it. Each job can have a shared space for the brief, the edit decision list, versions sent for review and final deliverables.

Rushes and renders sit in Fabric’s cloud drive, which streams files on demand so they take no local disk space, and heavy video files open without a full download. Shared folders always show the latest versions. Teams cutting from lighter files can keep originals and proxies together; there is a short primer on what a proxy workflow is, and another on what a LUT is for teams passing looks between edit and colour suites.

Search works by meaning across briefs, notes and transcribed media, and colour search finds stills and images by shade. Audio and video transcription turns uploaded MP4, MOV and WAV files into searchable text with clickable timestamps, which helps documentary editors find an interview line without scrubbing through hours of footage.

For review, a cut or a folder of versions can be published as a web page with password protection, and link analytics shows when each named recipient opened it and for how long. Agencies and clients can leave threaded comments through a shared link without creating an account. Reviewers can leave timestamped comments on video and draw on any video frame. Annotations also work on PDFs and documents such as scripts, shot lists and delivery specs.

Password protection and link analytics are included on Pro and Team plans. See plans for teams.

Frequently asked questions

What is the best post-production company in Boston?

It depends on the job. GBH OutPost has the widest finishing and delivery setup on this list, PS260 and Editbar cut national commercials, Brickyard VFX has specialised in visual effects in Boston since 1999, and Element and Minutemen Post combine editing, colour and motion graphics for brands.

Where can I get colour grading in Boston?

GBH OutPost grades on DaVinci Resolve and Baselight, and Minutemen Post, Element and Charles River Media all grade in-house. Colourist Phil Choe also runs a Boston colour studio, Standard Art, which he launched at the start of 2025.

Which Boston companies handle VFX and compositing?

Brickyard VFX covers compositing, CG, character animation and on-set supervision. PS260 has a Flame suite for compositing and finishing in its Boston office, and Minutemen Post, Element and Charles River Media include VFX within a wider post service.

Can I finish a documentary for PBS or broadcast in Boston?

Yes. GBH OutPost finishes FRONTLINE, NOVA and AMERICAN EXPERIENCE and offers online editing, grading, 5.1 mixing, captioning, technical evaluation for network delivery and DCPs to outside producers.

Which Boston companies can shoot and post a project together?

Element, Charles River Media and Minutemen Post all produce as well as edit and grade, and Brickyard has a live-action arm, Brickyard Filmworks. For production-led companies, see the best video production companies in Boston.

Related lists

Post-production companies in other cities: New York · Los Angeles · London · Chicago · Seattle

More in Boston: Creative agencies · Video production · Advertising agencies · Photography studios · Animation studios · Sound design

Run your post studio on Fabric: Fabric for video editors · Best cloud storage for video editors · Best video asset management tool