Best Post-Production Companies in Tokyo (2026)

Introduction

Tokyo’s full-service post-production market is led by a few long-established groups, with smaller commercials houses working alongside them. The 8 companies below cover several stages of finishing in-house, and all have a Tokyo base in 2026.

Most of the work divides between features and episodic content on one side and television commercials on the other, and the facilities reflect that split. Toho Studios upgraded Dubbing Stage 1 for Dolby Atmos mixing in May 2025, and Sony PCL added a Baselight M grading system in June 2026. The market also lost a familiar name when Tokyo Laboratory, majority-owned by Toho, closed in November 2023 after 68 years.

We chose firms for the breadth of their in-house services, recent work and evidence of a working Tokyo facility. Specialists in colour, editing, VFX and sound have their own pages. The list is unranked, since the right house depends on the format, the deliverables and how much of the job you want to keep in one place.

The best post-production companies in Tokyo

1. IMAGICA Entertainment Media Services

IMAGICA Group · Minato · imagica-ems.co.jp

IMAGICA Entertainment Media Services sits in IMAGICA Group’s video production technology business, and it took over assets, resources and skills from IMAGICA Lab. The group’s roots go back to a film laboratory founded in 1935.

Its range runs from editing, colour grading, CG and VFX through mixing and dubbing to multi-language subtitles, digital cinema packages, VOD delivery, film restoration and archive storage. That suits long-form projects that need finishing, localisation and distribution handled together. Group companies Pixelogic and Picture Production Company add reach in the US and UK.

2. IMAGICA Lab.

IMAGICA Group · Ginza and Toranomon · imagicalab.co.jp

IMAGICA Lab. is the group’s commercials and short-form company, covering post-production for television commercials, music videos, web and event video. It runs the Ginza 7-chome and Toranomon studios in Tokyo, plus a production centre in Osaka.

In October 2025 it announced an ACES 2.0 workflow built for a CITIZEN ATTESA commercial, and it presented at the Blackmagic Design booth at Inter BEE 2025. It also offers IMAGICA Cloud Connect for large-file transfers, which is worth asking about if an agency or director is working remotely.

3. Sony PCL

Sony Group · Kiyosumi-Shirakawa · sonypcl.jp

Sony PCL describes itself as a creative house, combining post-production with immersive experiences, event staging and virtual production. Its post team includes colourists, editors, sound engineers and supervisors, and the Kiyosumi-Shirakawa BASE houses its virtual production and volumetric capture work.

Recent activity includes the 4K digital remaster of Oasis Knebworth 1996 DAY2 for cinemas in September 2025, the Netflix Preferred Fulfillment Partner of the Year 2025 award, and the introduction of Baselight M in June 2026. Its BACKDROP LIBRARY of background assets grew by 120 assets in September 2026, which is useful for productions combining virtual production and finishing with one supplier.

4. Omnibus Japan

Tohokushinsha group · Akasaka · tfc.co.jp

Omnibus Japan is the digital production company within the Tohokushinsha group, a post-production facility for commercials, television programmes and streaming content. Its services cover video and audio editing, colour grading, visual composition, subtitles and VFX and CGI work.

It also runs Omniline, an online delivery service for commercials. Tohokushinsha’s localisation division handles Japanese dubbing and audio description and holds Netflix Post Partner Program certification for those services, so projects needing a Japanese version can stay within the group.

5. Toho Studios

Toho group · Setagaya · tohostudio.jp

Toho Studios operates a 78,000 square metre lot with 10 sound stages and two post-production buildings. The company in its current form dates from a 2020 merger of Toho Pictures and Toho Studios Service. Post Production Center 1, completed in 2010, was planned with Warner Bros. and has dubbing stages, ADR and Foley stages, an MA room and screening rooms.

Picture work sits in the HIGH-RESOLUTION BASE (4K HDR online rooms with Autodesk Flame, DI rooms and DCP creation) and the D.I. Factory. Sound credits for the post centre include dubbing on The Boy and the Heron. A production shooting on the lot can move material between stages and post rooms over the site’s fibre network.

6. Toei Digital Lab

Toei group · Oizumi, Nerima · toeilab.co.jp

Toei Digital Lab is a post-production facility inside the Toei Tokyo Studio, a Toei subsidiary working alongside Toei Labo Tech in Chofu. Services listed are theatre, editing, MA, grading, packaging and transfer, and the site is also known as the Toei Digital Center. Toei Labo Tech’s archive division adds 4K film scanning and restoration.

Recent projects include grading on a TBS Friday drama, announced in June 2026, and work on the 4K HDR remaster of Return of Ultraman, broadcast on NHK BS Premium 4K from July 2026. Toei’s Zukun Lab shares the Oizumi address and handles motion capture, CGI and virtual production if a project needs them.

7. Technicaland

Private company · Minami-Aoyama · technicaland.co.jp

Technicaland is a Minami-Aoyama house working mainly on television commercials, taking them from sync recording through editing, grading and MA to delivery packaging and encoding. It has four editing suites and two MA rooms, with 27 employees as of August 2026.

Its services include on-site editing and recording visits, remote preview over Zoom or Teams, and a sound effects library of more than 500,000 sounds. It has added Mocha Pro 2026 to its Flame setup.

8. McRAY

Ray Co., Ltd. · Roppongi · mcray.co.jp

McRAY is the post-production studio of Ray Co., Ltd., with services covering Flame, MA, editing, colour grading, QC and CG. It lists studios in Roppongi and Nishiazabu.

It also offers shooting, camera and lens rental, and DIT, so one supplier can cover a shoot and its finish. That is convenient for commercial and short-form jobs on tight schedules. Ask for a reel that matches your format.

What to look for in a Tokyo post-production company

Start with the format. Tokyo’s houses tend to specialise by format even when their service lists look alike. Feature and episodic finishing needs DI rooms, a dubbing stage and DCP or IMF mastering, which points towards Toho Studios, Toei or IMAGICA Entertainment Media Services. Commercials work is built around Flame suites, MA rooms and fast approvals, which is where IMAGICA Lab., Technicaland and McRAY concentrate.

Ask how sound is handled, since it often decides whether the job can stay in one building. MA is the term Japanese post houses use for the final audio session, where narration, music and effects are recorded and balanced. A commercial may need only one MA room and a short booking, while a feature needs ADR, Foley and a mixing stage. Check Dolby Atmos capability against the stage you would use.

International productions should ask early about English-language supervision and about delivery specifications for overseas platforms. Japan’s Location Incentive Program offers a rebate on qualifying production and post-production spend, and it requires a Japanese production partner of record, so involve your partner before committing to where the work is done.

Remote review is the last thing to check. Directors and agency teams are often in different cities, or different countries, during finishing. Ask how cuts and grades are shared for approval, who keeps the comments, and how notes get closed out between rounds, since version confusion is a common cause of delay late in a schedule.

How Fabric helps post-production teams

Fabric gives a post team one workspace for files, client feedback and project knowledge, with AI search across all of it. Heavy files sit in Fabric’s cloud drive, which streams them on demand, so they take no local disk space and open without a full download. Shared team folders keep editors, colourists and producers on the latest versions.

Search works by meaning across documents, images and transcribed recordings, with results that jump to the page or timestamp. Audio and video transcription makes uploaded MP4, MOV, WAV and other files searchable with clickable timestamps, which helps when a producer needs to find one line across several interview rushes.

Client review runs through shared links. Share a cut or folder with a client as a commenter (no sign-up needed), and they can leave timestamped comments on video and audio, add a drawing on a video frame, or draw on a still image and attach a comment. The team marks each comment completed, so notes from a round work like a checklist. The steps are set out in how to get client feedback on a video.

For finished work, any file or folder can be published as a web page, view-only and with optional download, which suits reels and delivery folders. Password protection covers pre-release material, and link analytics shows when each named recipient opened a link. Files are protected with AES-256 encryption, and Fabric is CASA Tier 2 certified, though any studio or platform security requirement for a given title remains a matter for your own review.

Password protection and link analytics are included on Pro and Team plans. See plans for teams.

Frequently asked questions

What is the best post-production company in Tokyo?

The right choice depends on the format. For feature finishing, Toho Studios and IMAGICA Entertainment Media Services have the widest in-house range among the firms here. For commercials, IMAGICA Lab., Technicaland and McRAY are built around that work, and Omnibus Japan covers commercials, television and streaming.

What does MA mean in Japanese post-production?

MA is the final audio session on a commercial or programme, covering narration recording, music, sound effects and the balance between them. Japanese houses list it as a service alongside editing and grading, and several firms on this list have dedicated MA rooms.

Should I use a full-service house or separate specialists?

A full-service house keeps editing, grading, sound and delivery under one roof, which reduces handovers. Specialists suit projects where one discipline carries the work, and a particular colourist may matter more than the facility.

Can a Tokyo post house handle subtitles and dubbing for overseas release?

Several can. IMAGICA Entertainment Media Services lists multi-language subtitles and dubbing, and Tohokushinsha’s localisation division provides Japanese dubbing and audio description alongside Omnibus Japan’s post work. Confirm the languages and platform specifications you need at the start of a project.

What happened to Tokyo Laboratory?

Tokyo Laboratory, a Chofu-based lab majority-owned by Toho, closed on 30 November 2023 after announcing its shutdown that September. Projects needing film scanning or restoration in Tokyo can look at IMAGICA Entertainment Media Services, Toei Labo Tech or Toho Archive.

Related lists

Post-production in other cities: New York · London · Los Angeles · Chicago · Toronto

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